Timothée Chalamet Cheers Misty Copeland’s Triumphant Ballet Return at Oscars 2026 Amid Ongoing Backlash
In a poetic twist during the 98th Academy Awards on March 15, 2026, at the Dolby Theatre in Hollywood, Timothée Chalamet was captured enthusiastically applauding ballet legend Misty Copeland as she delivered a stunning showcase performance. The 30-year-old Marty Supreme star, seated alongside girlfriend Kylie Jenner, 28, rose to his feet with the audience, clapping vigorously during the high-energy Sinners musical segment that featured Copeland’s elegant ballet routine.

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The moment came during a special live rendition of the Oscar-nominated Best Original Song “I Lied To You” from Ryan Coogler’s record-breaking film Sinners. The performance, a vibrant homage to the movie’s iconic juke joint sequence, united musicians Miles Caton and Raphael Saadiq on vocals and guitar, with cameos from Shaboozey, Brittany Howard, Eric Gales, Buddy Guy, Christone “Kingfish” Ingram, Bobby Rush, Alice Smith, and Sinners cast members Jayme Lawson and Li Jun Li. Copeland, 43, who retired from the American Ballet Theatre in October 2025 after hip replacement surgery, temporarily returned to the stage, front and center in a graceful pointe routine that blended classical ballet with the bluesy, soulful track.
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Social media erupted with reactions noting the delicious irony: just weeks earlier, Chalamet had sparked massive controversy during a CNN & Variety Town Hall at the University of Texas at Austin with Matthew McConaughey. Discussing concerns over declining theater attendance and film relevance, he remarked that he wouldn’t want to work in art forms like ballet and opera because “no one cares about” them anymore, labeling them “dying.” The offhand comment ignited backlash from the arts world, including sharp responses from Copeland herself.
Copeland, who previously collaborated with Chalamet by promoting Marty Supreme in a branded windbreaker photo, addressed the remarks in a March panel, saying it was “interesting” he invited her for promo tied to her art form. She emphasized: “He wouldn’t be an actor and have the opportunities he has as a movie star if it weren’t for opera and ballet and their relevance.” Other figures like Steven Spielberg, Whoopi Goldberg, and opera houses (offering cheeky discount codes) defended the enduring power of these mediums, urging upliftment over comparison.
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The Oscars amplified the drama: Host Conan O’Brien joked about “attacks from the opera and ballet communities,” drawing laughs and a nervous grin from Chalamet beside Jenner. Multiple winners and presenters referenced the feud, turning it into the night’s subtle running gag. Yet when Copeland emerged in the Sinners tribute—described by fans as “putting Timothée in his place” with graceful authority—Chalamet appeared fully engaged, cheering her on without hesitation.
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The segment earned a standing ovation for its fusion of blues-rock energy and diverse dance styles, including Copeland’s ballet spotlight. It underscored Sinners‘ cultural impact as the most-nominated film ever, while subtly reclaiming ballet’s place in pop culture discourse. Chalamet, whose Marty Supreme earned zero wins (with Michael B. Jordan taking Best Actor), navigated the evening with poise despite the roasts.
This full-circle moment—from controversy to applause—highlighted Hollywood’s interconnected arts ecosystem. Chalamet’s enthusiastic support for Copeland suggested reconciliation or respect, even as the internet feasted on the “ballet karma” narrative. In an awards night filled with snubs and shade, Copeland’s performance stole the show, proving timeless art forms still command attention.
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