Just hours after Olamide sold out the OVO Arena in London, the music world — or at least the Afrobeats fan community — is buzzing. Across social media platforms, fans are already calling for the Nigerian superstar, affectionately known as Baddo, to be officially recognized as part of the genre’s so-called “Big 3.”

The discussion isn’t just about numbers. While selling out stadiums is certainly impressive, many fans argue that the Big 3 title should also reflect the impact an artist has on the community and the next generation of musicians. Olamide, they claim, has done more than just top charts — he has lifted countless up-and-coming artists, giving them platforms and opportunities to shine. From featuring emerging rappers in his tracks to mentoring young talents, his influence reaches far beyond the stage.

The OVO Arena performance itself was a testament to his growing international appeal. Nigerian and international fans alike packed the venue, creating a high-energy atmosphere that showcased not only Olamide’s skill but also the global reach of Afrobeats music. For many in the audience, seeing him dominate a stage outside of Nigeria was proof that his contributions to the genre are undeniable.

Yet, despite the fan excitement, Olamide himself remains grounded. In a statement shared during the whirlwind of social media hype, he said:

“I don’t care about the Big 3. If I’m in the mood for it tomorrow, I’ll do what I want to do. But that’s not my thing. I respect it if it’s somebody else’s cup of tea, but it’s not mine. I just want to make good music.”

This candid confession highlights the difference between fan perception and the artist’s personal focus. While the world debates his standing among Afrobeats legends, Olamide’s priority remains creating music that resonates with audiences — whether in Lagos, London, or beyond.

The fan reaction, however, is impossible to ignore. Hashtags, threads, and posts celebrating Olamide’s achievements began trending immediately after the concert. Supporters argue that excluding him from any Big 3 list would be an oversight, emphasizing that his influence on upcoming artists and his ability to sell out international arenas make him more than worthy of recognition.

Critics of the fan movement caution that labels like “Big 3” are inherently subjective, shaped by public opinion, industry insiders, and media narratives. But for the Olamide fanbase, this is more than just a title — it is a celebration of impact, legacy, and the doors he has opened for others.

In the end, the OVO Arena London show may have been more than a concert — it has become a catalyst for discussion about Olamide’s place in Afrobeats history. While he stays focused on the music, the fans are busy making their case, and the global conversation around his career is louder than ever.

Whether Olamide ultimately receives formal recognition in the Big 3 or not, one thing is clear: his influence on Afrobeats and the next generation of artists is undeniable, and the world is taking notice.